View AbstractThe architecture of Kashmir is a splendid and worth-studying amalgam of Buddhist,
Hindu and Islamic artwork drawn against the picturesque landscape. The Sanskrit
texts of Nilamata Purana and Rajatarangini, depict Kashmir as a sacred space created by
the Divine intervention and the idea was carried forward by Muslim historians, by
referring to Kashmir as Jannat, meaning Eternal bliss, therefore the ancient
architecture of Kashmir, intrinsically carries a spiritual touch and mostly revolves
around the colors of religion itself. The induction of Buddhism in Kashmir dates
th th
back to 245 BC, followed by the Hindu rule from the 9 to the 12 CE and then the
th Muslim rule from 12 CE onwards, and the architecture thus produced has elements
of their respective religious traces and values, vernacularity and mutual inspirations,
and their own particular influences, which gives the architecture of Kashmir its
distinctive style. The Buddhist Chaitya halls inspired the temples as well the mosques
of Medieval Kashmir, the indigenous pyramidical roofs of Sufi shrines are visible in
the Hindu temples of the Medieval age, thus blurring the narrow classifications of
architecture, making it a product of human creativity and aesthetics and an everyone's
enterprise creating the assimilation of distinct elements of artwork. Kashmir has not
only witnessed combination of architectural styles during different reigns but the
continuity of built forms by successive faiths, depicting the mutual respect of
different sets of beliefs towards the prosperity of the Sacred space, that Kashmir has
been. Syncretism in Religious architecture is a conscious quality of union of distinct
systems of beliefs, an uplifting way of promoting and maintaining the atmosphere of
a peaceful and harmonious co-existence, it is not only an incidence of the past but a
vision for a prosperous future as well while embracing the rich diversity we have
around us. This paper attempts to bring out the varied aspects of the religious
architecture of Kashmir and process of Syncretization, while tracing some major
influences and borrowings thereof.